Sinéad O’Connor Estate Requests Trump to Halt Use of Her Music

The estate representing Sinéad O’Connor has formally requested that Donald Trump refrain from using her music during his political rallies. This appeal comes in response to Trump featuring O’Connor’s renowned song “Nothing Compares 2 U” at a campaign event held in Maryland last month. The estate expressed deep concern over the usage, asserting that O’Connor herself would have found such utilisation deeply offensive and disrespectful.

In a joint statement issued by O’Connor’s estate and her long-time label, Chrysalis Records, they underscored O’Connor’s lifelong commitment to honesty, kindness, fairness, and decency. The statement highlighted that Trump’s appropriation of her music not only misrepresents O’Connor’s legacy but also violates the values she held dear throughout her life.

The estate emphasised that O’Connor would have been appalled by the misrepresentation of her work, particularly by someone whom she had previously referred to as a ‘biblical devil’. As stewards of her musical legacy, they demanded an immediate cessation of Trump and his associates from utilising her music for political purposes.

Reports indicate that Trump’s campaign events have featured an array of songs, including Abba’s “Dancing Queen,” Johnny Cash’s “Ring of Fire,” and Elvis Presley’s “Suspicious Minds,” alongside O’Connor’s “Nothing Compares 2 U.” O’Connor’s rendition of the song, originally penned by Prince, enjoyed significant success, spending four weeks at number one in the UK in 1990.

Sinéad O’Connor passed away in July last year at the age of 56, with the coroner attributing her death to natural causes. Trump, who served as the 45th US president following his victory in the 2016 election, was subsequently defeated by President Biden in the 2020 election.

The estate’s formal request underscores the importance of respecting artists’ wishes regarding the use of their creative works. It reflects a broader conversation about the ethical use of music in political contexts and highlights the need for greater awareness and consideration regarding the rights and sentiments of artists and their estates.

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